{"id":123,"date":"2025-12-23T13:21:37","date_gmt":"2025-12-23T13:21:37","guid":{"rendered":"https:\/\/aneesh-pradhan.webappmate.in\/?p=123"},"modified":"2026-01-08T13:18:04","modified_gmt":"2026-01-08T13:18:04","slug":"hello-world-3","status":"publish","type":"post","link":"https:\/\/aneesh-pradhan.webappmate.in\/index.php\/2025\/12\/23\/hello-world-3\/","title":{"rendered":"Celebrating the eclecticism of Hindustani maestro Ramkrishna Vaze"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"123\" class=\"elementor elementor-123\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3059501 e-con-full e-flex e-con e-parent\" data-id=\"3059501\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-20cfe631 elementor-widget elementor-widget-text-editor\" data-id=\"20cfe631\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t\n<p>First appeared in www.scroll.in on January 9, 2016. This column has previously touched upon the issue of eclecticism in Hindustani music, noting that it is not a recent phenomenon. It existed even in the nineteenth century, despite the desire to maintain musical exclusivity and hereditary ownership of knowledge through the gharana model. Vocalist Ramkrishnabuwa Vaze (1871-1945) is a striking example of a musician who studied under many gurus and drew from several influences. He created a style that eminent<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>First appeared in www.scroll.in on January 9, 2016. This column has previously touched upon the issue of eclecticism in Hindustani music, noting that it is not a recent phenomenon. It existed even in the nineteenth century, despite the desire to maintain musical exclusivity and hereditary ownership of knowledge through the gharana model. Vocalist Ramkrishnabuwa Vaze [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-123","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Celebrating the eclecticism of Hindustani maestro Ramkrishna Vaze - Aneesh Pradhan<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aneesh-pradhan.webappmate.in\/index.php\/2025\/12\/23\/hello-world-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celebrating the eclecticism of Hindustani maestro Ramkrishna Vaze - Aneesh Pradhan\" \/>\n<meta property=\"og:description\" content=\"First appeared in www.scroll.in on January 9, 2016. This column has previously touched upon the issue of eclecticism in Hindustani music, noting that it is not a recent phenomenon. It existed even in the nineteenth century, despite the desire to maintain musical exclusivity and hereditary ownership of knowledge through the gharana model. 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